How to play Dmin/maj7(add11)/G chord on guitar
Shape 353635
Shape characteristics
Closed voicing
Every sounding string is fretted, with no open strings. Tight, controllable tone that responds well to palm muting and dynamic picking.
First position · fret 3-6
Sits near the nut where frets are widest. Lower string tension makes it easier to fret cleanly, a comfortable choice for singer-songwriter strumming and beginner-friendly progressions.
Full six-string voicing
All six strings ring, giving you the biggest, most resonant version of this chord, ideal for strumming and solo acoustic contexts.
Bass: G · Top: A
An extended chord tone is in the bass, giving the voicing a distinctive colour beyond the standard inversions.
Compared to Shape 300663 , this voicing uses a partial barre.
How to play this shape
- 1 Place the 1st finger on the 3rd fret of the 2nd string, 4th string, and 6th string in barre position
- 2 Place the 2nd finger on the 5th fret of the 5th string
- 3 Place the 3rd finger on the 5th fret of the 1st string
- 4 Place the 4th finger on the 6th fret of the 3rd string
Frequently Asked Questions
What does "353635" mean?
The sequence 353635 is a highly compact guitar chord notation. It represents the fret played on each of the 6 strings, reading left-to-right from the thickest (lowest pitch) string to the thinnest (highest pitch) string: E, A, D, G, B, e.
- x means the string is muted or skipped entirely.
- 0 means the string is played "open" (without pressing over a fret).
- 1-9 represent standard fret numbers 1 to 9.
- a, b, c... represent frets 10, 11, 12, and higher (where a=10, b=11, c=12).
Can I play this Dmin/maj7(add11)/G shape anywhere else?
Yes! This specific layout is just one way to voice a Dmin/maj7(add11)/G chord. You can find all other variations in our chord shape library for Dmin/maj7(add11)/G. Most guitarists choose different shapes based on whether they want a "brighter" or "deeper" sound, or which chord they are transitioning from.
Other shapes
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